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Favorite Albums of 2024

Like last year and the year before, here’s the list in no particular order:

  • The Staves - All Now: The trio of sisters returned as a duo on their latest album. The melodies are still sweet and the songs are catchy.
  • Japandroids - Fate & Alcohol: The duo return and it's exactly what you expect: loud and fast. It's their fourth and final album and I will miss them deeply.
  • Passage du Desir - Johnny Blue Skies: Sturgill Simpson returns under a new name and his fusion of rock, country, and bluegrass does not disappoint.
  • Waxahatchee - Tigers Blood: This alt-country gem is on a lot of end of year lists for good reason.

Favorite Find: Blade Runner soundtrack by Vangelis. I was floored when I received the weekly email newsletter from my local record store with this album in the restocks section. I had a different version in my wantlist on Discogs for years, and somehow missed this version, which seems to be fairly common. I rushed to Down in the Valley and picked it up right away.

Fifteen Years of Record Collecting

My record collection

Fifteen years ago today on April 18th, 2009 I started my record collecting journey. It's an easy day for me to remember as it was the second annual Record Store Day. I still remember it like it was yesterday. That Saturday afternoon I'd pick up the turntable, so I headed out to the local record store, Down in the Valley, first. There I picked up Neko Case's Middle Cyclone on clear vinyl and a handful of used records, though I don't remember which ones I bought. I never imagined my collection would grow like it has.

I remember that people thought I was a bit crazy to get back into records. I wouldn't have imagined vinyl outselling CDs, but vinyl has for the last two years.

My records bring me great joy - I've built apps around them, cataloged them on Discogs, and I listen every day. There's nothing better than putting on a pair of quality headphones, closing your eyes, and spinning a record.

Favorite Albums of 2023

My favorite album of 2023 isn’t in the picture as I’m waiting for the deluxe box set that comes out in early March, 2024. Peter Gabriel’s i/o, his first album of new music in over 20 years, came out in early December and I have literally listened to nothing but this. So much so that Apple updated its 2023 Replay and the record became my most played streaming album of the year in under a month.

Like last year, here’s the rest of the list in no particular order:

  • Jenny Lewis - Joy Y’all: Jenny Lewis was back with a strong effort. At just over 30 minutes the record was short and sweet but full of catchy songs.
  • Jason Isbell and the 400 Unit - Weathervanes: Jason Isbell self-produced this album and cranked the electric guitars a bit more than in past albums.
  • The Hold Steady - The Price of Progress: You either love or hate Craig Finn’s voice. But there is no denying he is a master storyteller.
  • Alex Lahey - The Answer is Always Yes: Alex Lahey’s third album is just a rockin’ good time.
  • boygenius - The Record: I don’t know what I can say that hasn’t already been said on every Best of 2023 list already. The supergroup of Julien Baker, Lucy Dacus, and Phoebe Bridgers followed up their debut EP with a wonderful album.
  • Angie McMahon - Light, Dark, Light Again: If it hadn’t been for Peter Gabriel, this would have been my album of the year. There was no sophomore slump for this singer / songwriter out of Australia. I really hope more people get to know her and her music.
  • Dessa - Bury the Lede: Minneapolis poet / author / singer / rapper Dessa was back with Bury the Lede and did not disappoint.

  • Favorite repress / reissue: Prince and the New Power Generation - Diamond and Pearls: I almost regret not buying the deluxe box set of this album. The quality and the mix of this album, originally released in 1991, is hands down the best mixed album I heard all year. I listened to the original a few times before picking this up and was blown away the first time I put it on the turntable.

White Whales

White whale (noun): The record you have spent a long time, sometimes years, searching for.

In the record community, each collector has a white whale, one or two records they’ve been searching for yet cannot find. Unlike Captain Ahab, our white whales didn’t take half our leg, though. (I have no idea if other collectible communities use this term, but wouldn’t be surprised.)

Thanks to Discogs, it’s not hard to find your white whale, so I would add “…at a reasonable cost” to the definition.

I started my record collection almost fifteen years ago, on Record Store Day #2. That was the day I bought a used turntable from Craigslist and the first records I bought as an adult at Down in the Valley. As my collection has grown, I’ve become much more pickier about the albums I buy. And in 2023, I got lucky and found both my white whales, from bands you probably haven’t heard of.

First up is Free Energy’s Stuck on Nothing. The debut album from this alternative power pop band from Philadelphia by way of Minneapolis that featured a few members from the defunct band, Hockey Night. Free Energy was signed to LCD Soundsystem’s record label, DFA, and Stuck On Nothing was produced by LCD Soundsystem’s James Murphy.

Two or three copies were for sale, all around $65 - $75, which was way more than I wanted to pay for the record. But then one popped up for $30, but it had a two inch tear in the jacket. Right after that, another showed up for $40 from a new seller and I jumped on it. Being a new seller, they didn’t have any customer ratings, so I would be taking a chance on not getting scammed, which has been happening more frequently on Discogs.

I took the chance and the record showed up quickly and the jacket was in great shape. The record was filthy - I’ve never seen a record so dusty. A trip through the spin clean and it was good as new.

Whatever happened to Free Energy? They released a second album in 2013 and then broke up. I saw them play on their final tour and it was the last show I saw at the Triple Rock (RIP). One of the members went on to have a Kickstarter campaign to make vegan jerky from eggplant.

My second white whale is the record Under the Blacklight by Rilo Kiley, featuring Jenny Lewis, one of my favorite singers..

The band was active from 1998 to 2011, famously getting their start thanks to Dave Foley of Kids in the Hall. Under the Blacklight would be their major label debut after 3 records as an indie. Released in 2007, it would be their final album.

This time I got lucky. Each Black Friday, Record Store Day does a smaller version of itself with special editions, new releases, and represses released for Black Friday. This year, Rilo Kiley’s Under the Blacklight was repressed with 6000 copies made going to all the local record stores around the country.

But would my record store have it? I’ve skipped the last four or five Record Store Days and Black Fridays. But after missing out on the Dee Gees (the Foo Fighters EP of Bee Gees cover songs) a couple years ago, I wasn’t going to miss a shot at my white whale.

Down in the Valley opens at 9:00 a.m. for Black Friday and tt took most of my will power not to leave after I woke up shortly after 5 a.m. I got there about 7:45 a.m. and I estimate I was 30th in line, which would grow to over a 100 by the time the store opened. About a half hour before the doors would open, an employee was going down the line randomly asking people what they want, and usually give them the bad news that it wouldn’t be available by the time they got in the store.

But not me - when I asked his response was “Oh, we have plenty of those!”, which helped make the wait go by a little faster. Once in the store at about ten minutes after opening, I picked up my copy of Under the Blacklight (in translucent purple) and also picked up the recent re-issue of Prince’s Diamonds and Pearls.

Now that I’ve acquired two of my most sought after records, it’s time to think about what I might search for next... and that would be 1989’s March by Michael Penn.

In front of my record player lay two albums, on the left Free Energy's Stuck on Nothing and on the right, Rilo Kiley's Under the Blacklight

Favorite Albums of 2022

I shared this on Mastodon, but in an effort to (maybe) blog more, here are some of my favorite albums of 2022. I'm sure I'm forgetting some. In no particular order:

  • Spoon - Lucifer on the Sofa
  • Metric - Formentera
  • Muna - Muna
  • Yeah Yeah Yeahs - Cool it Down
  • Frank Turner - FTHC
  • Taylor Swift - Midnights
  • Chastity Brown - Sing to the Walls
  • Hatchie - Giving the World Away

Spoon gets a special mention - the remix album, Lucifer on the Moon, is just as good as the original.

Listening to my Record Collection Alphabetically

My Record Collection

I love this blog post from Discogs. I’ve often thought of doing exactly what it lays out: listen to your record collection from A to Z.

I know there are a lot of records I rarely listen to. Whether I bought them because I love the artist, because of their rarity, or just because I was taking a chance on something new, I’m sure there are records collecting dust.

I’ve done a pretty good job, especially last year in the first year of the pandemic, selling off any records I know I won’t listen to again on Discogs. I also take some pride in that if the record is rare or was released on Record Store Day for example, not to overcharge when selling some of these.

I haven’t decided what I’m going to do about artists like Ryan Adams. I was a huge fan, but I haven’t listened to one song of his since news broke a couple years ago of how he abused women.

First up today: ABBA! I’ve always loved them, probably due to hearing them so much as a kid from my step-mother. The record on top of the photo is ABBA’s Waterloo, their second album. I actually picked this up at Electric Fetus a couple years ago and until today, I’m embarrassed to say, it was still sealed - 48 years later! But not anymore!

I’m lucky that my home theater is on the other side of the wall from my home office. My office is Zone 2 and it’s an eight foot walk to put a record on. This way while I’m working during the week or writing or tinkering on projects on the weekends I almost always have music on.

ABBA - Waterloo

Prince Rogers Nelson 1958 – 2016

Prince has always held a special place for me. I spent my summers growing up with grandparents, an hour north of the suburbs of Milwaukee, where I lived. In 1984 I was 11 and I still remember walking to the record shop to purchase my first record, Prince’s Purple Rain. Years later, I would joke that if my grandparents or parents knew of some of the lyrics on that album, I would never have been able to buy it.

Darling Nikki

I knew a girl named Nikki

I guess you could say she was a sex fiend

I met her in a hotel lobby

Masturbating with a magazine

She said how’d you like to waste some time

And I could not resist when I saw little Nikki grind

Growing up in the golden age of MTV, my fandom would continue. Raspberry Beret continues to be one of my top ten songs of Prince. U Got the Look, his collaboration with Sheena Easton, will always be emblazoned in my mind from the video. In 1989, when the first Batman movie was released starring Michael Keaton, Prince’s Batdance was a sensation. There was nothing like it on pop radio. Diamonds and Pearls was released in October 1991, a month after I met my girlfriend and later wife. The Love Symbol album was released just a year later in October 1992 and both of these albums would feature singles that I would sprinkle through the mixtapes I made Kelly over this period.

I moved from Milwaukee to Madison in late 1992. I worked as a supervisor in a Best Buy store and Barb, a customer service rep, worked for me. If I had to guess, she was in her early 40s and worked Monday through Friday from 9-2. She knew I was a Prince fan and one day, out of the blue, she asked me if I wanted to join her and her husband on a trip up to Minneapolis. It turns out her son, Jamie, was a choreographer working for Prince’s new protege. Jamie didn’t have any formal dance training. Every day growing up, he would come home after school, turn on MTV and learn the dance moves to all the videos playing on MTV. Jamie would later go on to become one of the five touring dancers on Michael Jackson’s Bad tour.

I joined Barb and her husband on the trip to Minneapolis, my first time there. It was about a four to five hour drive. A local radio station was hosting there annual party called the Star Party. We had a VIP table close to the front where it was Jamie, Barb and her husband, and…. Carmen Electra. (I bet you didn’t remember that Carmen Electra started as a protege of Prince, did you?)

The Star Party was at Glam Slam, the club owned by Prince in downtown Minneapolis. Carmen Electra was slated to go on second to last and we sat at the table watching the other acts performed. Shortly before Carmen Electra was to go on stage, two huge bodyguards approached our table:

He is going to come to the table in a few minutes. You don’t look at him, you don’t talk to him. Understand?

And then he was there. You knew Prince was short but he was even smaller in person. He ignored all of us and whispered in Carmen Electra’s ear. She giggled, clearly enjoying the attention. And just like that, he was gone. A few minutes later Carmen would go backstage to get ready for her performance, of which I remember very little as it was forgettable. After the show, she came back, signed a record for me in lipstick, and kissed it. For years, as I moved apartment to apartment, cross country and back, I kept that sealed and signed record. At some point, I got rid of it. I kick myself on two fronts for that: first, the novelty; second, I would buy a turntable in 2008, and would have been able to actually listen to it.

After the show, we drove out to Chanhassen to drive by Paisley Park, before driving back to Madison. I only remember that I was very tired and it was a half hour drive to his studio through corn fields out in the suburbs. Who knew that in 1999 I would buy my first house just ten minutes from Paisley Park, where I still live to this day.

A few years later when watching the Oscars telecast, I noticed in the credits:

Choreographed by Jamie King

Hey, I met him!

A year or two later I would move to Minneapolis with my future wife. I was still working at Best Buy, and now so was she, in stores about ten minutes apart. There was a security guard who worked at both of our stores who also moonlighted as security at Paisley Park, where Prince would throw impromptu concerts from time to time. This security guard had a crush on Kelly and even asked her out. I didn’t hold this against him as he got me on the list for Paisley Park a few times.

Seeing Prince perform at Paisley Park is like nothing you’ve ever seen. He would rarely play any of his hits. Most times it was things stored in the vault or it was a one hour jam session with his band playing whatever he wanted. Whatever it was, it was magical and special and I’m so glad to have been one of the hundreds in attendance at those shows.

I would only be in Minneapolis for a year or two before moving for another promotion at Best Buy. Two albums would get me through the cross country drive. One was The Hits, a three album best of and a disc of B-sides, released in 1993. The other was ABBA’s Thank You for the Music, their four disc best of collection. (Don’t judge me).

In 1996 I was now a district operations manager for Best Buy in Philadelphia. The Gold Experience, released in September of ’95, was my constant companion in the car as I drove from store to store.

We would move back to Minneapolis in 1997 and in 1999 we bought our first house in Chaska, just ten minutes and one suburb over from Paisley Park, which we still drive by all the time.

In 2008, I would buy my first turntable. Searching through all of the record stores in Minneapolis, I was always on the lookout for Prince albums. Being in Minneapolis, Prince albums, with the exception of Purple Rain, were usually difficult to find and overpriced. But I would buy every one I could get my hands on.

Prince Vinyl

After years away in Las Vegas and Los Angeles, Prince returned to Minneapolis in a big way the last few years. He would throw more parties and concerts at Paisley Park. There was little notice given – usually a week to just a couple of days and you had to follow social media to find out. I would tell a co-worker who lived in Silicon Valley that he had to come out, as he really wanted to go to one of those shows. But buying a plane ticket on short notice? Ouch. You never knew if Prince was actually going to take the stage or not, and if he did, what time he would. Some of those first shows when he was back, doors would at 10 p.m. and he wouldn’t appear until 3, 4 or 5 a.m. I kept telling myself I would go back and never did.

Now I never will.

I drove out to Paisley Park mid-day yesterday after the announcement of Prince’s death. There were already hundreds gathered, grieving. The tributes along the Paisley Park fence were touching.

After the news broke, I was trying to explain to my oldest son what Prince met to me, and I broke down. 89.3 The Current played Prince non-stop starting in chronological order at 1 p.m. yesterday, and at 4 p.m. when Purple Rain hit the airwaves shortly after I got home from Paisley Park, I choked up again. Just writing this, tears come to my eye. Only one other artist’s death, Freddie Mercury in 1991, touched me in the way this has.

I’m so glad to call Minneapolis home. The impromptu concert last night on the streets of Minneapolis, as the city closed off blocks downtown surrounding the legendary First Avenue nightclub where Purple Rain was filmed, was awe inspiring as thousands filled the streets. First Avenue opened a dance party at 11 p.m., which was packed all night with people still waiting to get in at 3 a.m.

Prince called Minneapolis home, but he belonged to all of us, all over the world.

Photo: Prince by Peter Tea under a Creative Commons BY-ND 2.0 license.

I love Minnesota Music

As a transplant to Minnesota from Wisconsin, I’ve now spent over half my life here. I’m a cheesehead through and through, but if there is one thing that Minnesota has that Wisconsin has never had, it’s the music. The first album I ever bought was Prince’s Purple Rain and my first ever trip to Minnesota I actually met Prince, which is another story for a different time. A few years later I was living here and I won tickets on Rev105 to a local music showcase at First Avenue. There I was introduced to Zuzu’s Petals and the headliner, a band called Pleasure, which would later be known as Semisonic.

In the last few weeks I’ve been treated to both the stars of the current local scene and the past. First up, was Minnesota Music on a Stick at the State Fair Grandstand hosted by The Current. Featuring country favorites The Cactus Blossoms, the indescribable Har Mar Superstar, Cloud Cult, punk legend Bob Mould, hip hop collective Doomtree, and the rapper Brother Ali, only The Current could bring together such a diverse group for one show.

I brought Zoe to the show for her first rock concert. She was surprised how loud it was, but we got up close and personal for Har Mar Superstar’s set and Doomtree. She’s more into pop music, but she listened to all of the artists before we came and Doomtree was her favorite. It being her first concert, we had to buy her a concert t-shirt.

If I had to pick one, I was there for Bob Mould first, with Har Mar Superstar and Doomtree being close behind him, not to mention Cloud Cult. We sat in the bleachers for Cloud Cult and Bob Mould, which was probably the right call considering how loud Bob Mould can get. Twenty songs in 60 minutes? No problem for Mr. Mould and his rockstar band. It’s the second time I’ve seen him in the last couple of years, and he’s not one for a lot of chatter during his show, which is just fine as he played a great selection of songs from Hüsker Dü, Sugar and his solo material. Sitting in the bleachers, the program director for The Current, Jim McGuinn, was in the row across from us, and as we left the bleachers to down to see Doomtree, I had to thank him for how much I value The Current. (I would see him again at The Replacements, but I don’t want him to think I’m some kind of crazy stalker).

Har Mar Superstar’s stage presence is amazing and he brought rising star Lizzo along for the entire set. I’m pretty tempted to get tickets to his upcoming show at First Avenue. Volunteering at The Current almost ten years ago for an afternoon, they gave me a few CDs to go home with, one of which was Har Mar Superstar, and I’ve been a fan since. I shouldn’t have been surprised, but most of the people there only seemed to know of his last album, the soul music throwback Bye Bye 17. When Almond Joy and Tall Boy should have had the crowd moving, it seemed as if only 30% of the crowd knew of his classic dance songs.

We went down into the crowd for Doomtree and tried to find a spot where Zoe could see over all the adults. I’ve been a fan of P.O.S. for ten years and Dessa for the last few years, so it was quite a treat to see them all together. I was pleasantly surprised how almost all of them each also did a song from their solo repertoire, with the highlight easily being Dessa’s Warsaw for me personally.

And this past Saturday was The Replacements. I don’t know what I can say that hasn’t already been said, but it was just amazing. As a teenager, the Say Anything soundtrack introduced me to so many bands, and The Replacements were one of them. Within Your Reach may be one of their slowest songs and it was quite the pleasant surprise to buy one of their albums at age 16 and find out they were a punk band. I quickly fell in love. Out of the all concerts I’ve been to in my life, it has to be in my top ten. They played almost everything they could in their first homecoming in 23 years. Seeing The Hold Steady open for them was just a bonus, but Saturday night was all about The Replacements. A sold out show to 14,000 or so fans, a few years from now I think 50,000 people will claim they were there that night.

City Pages’ Oral History of 89.3 The Current

A few weeks ago I was out watching football with some buddies. I was talking about my new car and how I was disappointed it didn’t have Radio Data System built in, which shows you the song name and title when listening to the radio. “Who still listens to the radio?!” he said. I replied, “I listen to The Current! We have one of the best public radio stations in the country!” A week or so later, he forwarded me the Arbitron ratings locally to debunk my statement.

As The Current celebrates its ninth birthday, City Pages has published an Oral History of The Current. Featuring former and current employees of Minnesota Public Radio and the station, they talk about the founding of the station; the highs of getting it off the ground; the lows of the rating crash a few years later and bringing in a consultant; and the success they’ve had with both the station, supporting new artists and especially their support of the local music scene. It’s a fantastic read and gives you a rare behind the scenes look at running a radio station.

And to my friend who wanted to argue with me about having one of the best radio stations in the country, the opening paragraphs back me up:

This week, 89.3 the Current celebrates the start of its 10th year, having become the model for cutting-edge radio throughout the country. Not bad for a station built from the ground up in six weeks.

Before the Current hit the airwaves in January 2005, local FM radio was a dead zone, and 89.3 was home to string orchestras. Flash forward to today, and the Current has revitalized the local music scene and been named the country’s best non-commercial radio station by industry peers for four years running.

Happy 9th birthday, 89.3!

Favorite Albums of 2013

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With 2013 now in the books, I’d like to share some of my favorite albums of 2013. After Polica dropped their debut album digitally on December 20th, 2011, I’ve learned to wait until the year is over to share my favorite albums – don’t want to miss one!

These might not be the critic’s choices, but these are albums I like, and almost all of them I’ve bought on vinyl this year. In no particular order:

Frank Turner – Tape Deck Heart – 89.3 The Current started spinning the second track from this album, The Way I Tend to Be, just a few months ago, and I fell in love. Giving the album a listen on Rdio, and then his back catalog, I realized how many of his songs I knew, without even knowing who the artist was. This is a fantastic album with catchy hooks and amazing lyrics. The only downside is the vinyl album didn’t come with an MP3 download card.

Free Energy – Love Signs – As a child and fan of everything 80s (well, maybe except the fashion), I love the 80s style power pop of this album. It started the year out with a bang and this albums knows exactly what it is – unapologetic pure fun.

The National – Trouble Will Find Me – I’ve always liked The National – and this album, along with their previous effort, really solidified for me how good they really are.

Chvrches – The Bones of What You Believe In – This is arguably my favorite album of the year. I’m just kicking myself for not going to see them at First Avenue earlier this year. Chvrches brings back that 80s power synth sound and merges it with today’s indie movement. Fantastic debut album.

Dessa – Parts of Speech – Local singer / songwriter / poet and member of the Doomtree collective. Good songwriting combined with her and Aby Wolf’s vocals made this a great album. The lead single, Warsaw, was nothing like she’s done as a solo artist and hit me like a hammer the first time I heard it. The Current did a special with her live at the Fitzgerald Theater, Dessa Deconstructed, which combined a live interview with Dessa mixed with a live performance. It’s available on YouTube and my favorite part was where she broke down the making of Warsaw.

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Mikal Cronin – MCII – I took a gamble on this album as I’m a fan of most artists on the Merge label, and it quickly became a favorite of mine. I was quite happy to see this make a bunch of “Best of 2013” lists as it didn’t seem to have much buzz or airplay.

Superchunk – I Hate Music – When I started running again early this summer, this was my go to album. If you’re a Superchunk fan, there’s not a lot new here, but it’s a short album at 40 minutes, and fast paced with a good beat. I’ve always liked Superchunk and this album doesn’t disappoint.

Neko Case – The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You – Neko Case’s last album, Middle Cyclone, was the first vinyl album I bought when I got back into vinyl a few years ago, on clear vinyl on the second Record Store Day, no less. I’m a huge fan of the New Pornographers, of whom she is a member, and I’ve always enjoyed her solo work. It’s much more personal and raw, and this album is especially so as Ms. Case has talked about her struggles leading up to this album as she was depressed and grieving the loss of her grandmother.

Volcano Choir – Repave – Is there anything Justin Vernon of Bon Iver does that doesn’t turn into gold? The second album he was a part of in 2013 (the first being the blues rock Shouting Matches), Repave is the second release by Volcano Choir and one in which he didn’t write any of the songs, but still retains a very Bon Iver feel. There’s not a lot I can say about this that Barb Abney of 89.3 The Current hasn’t already said.

Har Mar Superstar – Bye Bye 17 – Six or seven years ago I was volunteering at MPR and they handed me a few CDs for helping out for an afternoon. One of them was of Har Mar Superstar, whom I hadn’t heard of at the time, but quickly learned to love. With the lead single, Lady, You Shot Me, Sean Tillman aka Har Mar Superstar takes us back to the old soul sound and it works.

Caroline Smith – Half About Being a Woman – Another local Minnesota artist, Ms. Smith ran a successful Kickstarter campaign for her latest album of which I participated in. When the vinyl reward ran late ran late, she sent all of her vinyl backers a copy of the CD, which was a great touch as we had already received access to the MP3 download. Like Har Mar Superstar above, her album is a tribute to the classic Motown soul sound and after a few listens, you will forget that it came out in 2013.

Janelle Monae – The Electric Lady – this soulful, funky concept album has received rave reviews and not enough airplay. This is unlike most music out there and if you haven’t listened to it yet, go do it now.  It will make you dance.